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The Inverse Square Law - what it means to Photographers |
It's useful to know a little about the inverse square law
especially when using flash or studio lights. Basically all the
inverse square law says is that an object that is twice
the distance from a point source of light will receive a quarter
of the illumination. So what it means to us photographers is that
if you move your subject from 3 meters away to six meters away,
you will need four times the amount of light for the same exposure.
This can most easily be achieved by opening the lens aperture
two f-stops (see aperture
for an explanation) or using a flashgun that is four times
as powerful.
What do we mean by a point source of light? Well in Physics
there might be a very strict definition but for our purposes
any flashgun or lamp can be considered a point source. The
other variable to be aware of is that the law works for
'unfocused' light sources. Light from a laser or other highly
focused source will not drop off quite so rapidly.
The reason why the power of the light diminishes so rapidly
is not because it 'runs out of energy' or anything like
that, but because it spreads and so a smaller and
smaller proportion of the light hits the object. Here's
a little diagram to illustrate the point. |
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As you can see from the diagram
the beam of light fans out quite quickly and the object
furthest from the light receives only a small proportion
of the light, most of the beam misses the target.
The more the beam is focused the higher proportion of
the light will fall on the object. With a theatrical spotlight
for instance which has a very narrow beam, much more light
will fall on the object.
In photography though we don't tend to use highly focused
beams as they produce a very harsh light, too contrasty
for our purposes. So the inverse square law, as a rule
of thumb, works very well for us.
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So why do we need to
know this?
If you are using flash on camera and everything is automatic
then you don't need to worry about it at all. Except you
may 'run out of light' because your flashgun is not powerful
enough. It also explains the big difference in exposure
between objects or people near the camera and those only
a few feet further away.
If you have read my tutorial on flash
photography though you will know that I consider 'flash
on camera' as one of the cardinal sins of photography, and
should only be used in extreme emergencies. If your flash,
or light source, is off camera or bounced off a wall (see
flash photography for
and explanation) then you have independent control
over the distance from the light to the subject. In the
studio my lights are often much closer to the subject that
my camera. There are two reasons for this, one is to get
more light on the subject, and the other is that the nearer
the light is to the subject the less of a 'point source'
it will be and so the softer the shadows will be on the
subject. (I will do a more in depth article on studio lighting
soon and explain this more fully.)
All we really need to know
An automatic camera will do all the maths for you so, unless
you are using manual exposure, you don't need to worry too
much about the details. It is very useful though to have
some understanding of what is going on so that it doesn't
come as a surprise when you see the effects of all this
in under or over exposed photos. Just remember 'at twice
the distance, a quarter of the light reaches the subject'. |
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